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"It's Gonna Be (Alright)" is almost borderline adult contemporary, especially in its production and echoey drums, but it's top-notch balladry, one of the best combinations of moving and soothing I could expect from a song taking this approach. The whole wide world is smilin' with you. Bol weevil' it's a pleasel. I wanna get close to you lyrics. Basically every "parody" track here reeks of that show-offy feel. Hey, dude, he's the stallion). And besides, just look at this track listing!! Can you then trade or give away those tapes?
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With you time will tell. The key for me to discover the album's inner greatness. They found a language that is. The biggest highlights of the album have clearly discernable inspirations; "Gabrielle" (from the C&C demos) is a dead-on imitation of a Thin Lizzy rocker, and "Monique the Freak" is a return to the band's love of Prince. Of course, there were the occasional moments of terror, particularly when they started performing "Touch my Tooter" and "My Own Bare Hands, " but we managed our way through). It might even bring a wedding bell. Is the picture in the insert the afore mentioned Pod? Is that Pink Floyd in the background of Birthday Boy? It's a remix of a Yoko Ono song they did on an album called Rising Mixes. Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. 'Cuz no one wants a loser. The second thing will indeed be a great homage/parody of art rock, but then the third thing will be some nonsensical waltz (sort of), and the fourth thing will be an insanely fast New Wave-style rocker (sort of), and pretty soon the listener will be all mixed up and wondering how the hell people could love this album. Legend has it, that Gene and Dean had just finished writing "Spinal" in a Washington hotel. Ween is mostly identified as a NJ band due to their proximity to the Garden State and their roots and residency as a perennial opening act at City Gardens, a now defunct music venue in Trenton.
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So read 'em up + stick 'em. F]Its just around the corner. They were introduced by a mutual friend Scott Lowe through a bond of avant garde music. Ween don't get 2 close lyrics.html. Fittingly, psychedelia doesn't make another appearance on the album beyond that, unless you want to loosely couple the baroque-pop-influenced instrumental "Ice Castles" to the genre. Of course, the other thematic link (extending onto Pure Guava and further into non-album rarities) comes from "The Stallion, " done in parts 1 and 2 on this album. I love it when you stick me with your staff. That song was recorded by the band for a Pizza Hut commercial. Quebec - 2003 Sanctuary.
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Unfortunately, someone convinced them to go back to making "brown" albums and they lost their cool. Pretty much the only tracks that I'm not very fond of are "How High Can You Fly" (a decent introductory guitar line somewhat ruined by vocal effects) "Israel" (a saxophone-driven smooth-jazz vamp with Hebrew spirituality sprinkled on top, and not very entertaining) and "The Rift" (a lengthy, slow, hookless number full of go-nowhere sound effects). Ween - Don't Get 2 Close lyrics. Walking by a newsstand, he was dumbfounded to see a Washington Post headline read, "Am I going to die, Mommy? " Sweetheart - nun - gypsy. 2-2--------|-0-0--------|-2-2--------|-1-1-1-1-2-2-2-2-4-4-4-4-2---1---|. The former, because of its massive scope and absurd variety, made it seem like the band was deliberately showing off and trying to SOUND fun instead of BEING fun, and this album, instead of seeming, is very, very painfully obvious. Ween are the most diverse bigots that the entertainment industry has ever seen.
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It may well be that Gene and Dean like to use punk and hard rock (often bordering on heavy metal, like in "Wayne's Pet Youngin'") as a fallback, but the band touches on all sorts of other styles as well (few of them contemporary; this is definitely an album based in stylistic nostalgia), all the while giving the kinds of affectionate tweaks that would characterize their whole career. Psychedelia then gives way to its close relative, Eastern mysticism, in the glorious "Flutes of Chi, " where Dean's guitar suddenly takes on a quintessential 60s hippie tone, and where the standard instrumentation mixes with some Eastern instruments and combines another extraordinary melody with lyrics that feel like a perfect embodiment of late-60s "I'm high as hell and this book of Chinese proverbs is really speaking to me" lyrical approaches (I like those approaches, mind you). The rest of the album is much harder to pin down, but isn't much less enjoyable. Get your fingers outta your ass. Ween don't get 2 close lyrics.com. I tried to wake him up but he made not a peep. In the end you're filthy dirty. Ween's main approach to humor lay in the "incongruity" model; aside from the aforementioned gross exaggerations of genre aspects, and a tendency to stick completely ridiculous lyrics in spots where they wouldn't normally be expected, Ween had a gift with using profanity that few others would even attempt to match (I feel like Ween, more than any other band I can think of, used profanity as a weapon). So here's the bottom line: this is a great album, one that I'd like everybody to listen to at least a couple of times in their lives, but it's not one that I think should be pushed by everybody as the clear starting point for the band.
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I said, dude man, you feelin' alright. And the pumpkins, the pumpkins went further into the woods. If you think you're a Ween fan, you should probably get this, but definitely get it after all of their other studio albums. Ok, apparently the sample of Ali was supposed to end up on the end of "Powder Blue", but the rights to use it hadn't cleared. Put another way: The Mollusk may be a well-conceived, meticulously-crafted variation on the joke and greatness of Ween, but GWS and C&C are the joke and greatness of Ween. This is almost always recommended as the first pickup for people unfamiliar with the band, and while I don't think any of the statements generally used in praise of the album are untrue per se, I do think that they provide an expectation of an experience that the album isn't quite in position to deliver to a newbie. As somebody who's come to love Ween and love this album, of course, I'm very happy with how all of the strange elements of the album come together, but I'm not at all convinced anymore that this is an ideal way to try and get people into the group. And they said this woods is really (sounds like continuous? ) Can I touch u in the nude? Chord: Don't Get 2 Close (2 My Fantasy) - Ween - tab, song lyric, sheet, guitar, ukulele | chords.vip. Push th' little daisies and make em come up (x7). Don't make this one of your first five Ween purchases, but if you think you're a Ween fan, it's essential for you to hear this. Ween here realises that art isn't necessarily boring, straightfaced and serious -- in other words, they realised something that people like Frank Zappa proved decades before.
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Am]Stare into the lion's eyes, [G]and [F]if you taste the candy. As I scope the lobe. It's not too clear if they got them yet). It won't be long anyhow. If you have anywhere near the same lean towards messy pop albums that I do, and you haven't decided you hate Ween, then this album is a must-own. "I Don't Wanna Leave You on the Farm" and "Help Me Scrape the Mucus From My Brain" don't have anything resembling sophistication in their lyrics, of course, but there's a warmth in their nonsense that I find incredibly appealing, and dressing these melodies in all these glorious bits of steel guitar makes them hit all sorts of good spots in me. Overall on Ween, I think their familiarity with satire and parody makes them uneasy "favorites" for people who are maybe a wee bit pretentious and perhaps pretentious in the ways that Ween tend to satirize. "Lullaby" matches its title, and while the lyrics have some typical Ween eccentricities (I doubt there have been any other lullabies of note that prominently featured the words "ghost man"), the simple piano melody (with light orchestration) is absolutely lovely, and the song would absolutely work as a genuine lullaby. Scrape 4 a dollar, you'll die smilin'. This is an endless source of laughter to Ween. In any case, I enjoy both of these tracks plenty; they're both as immature as can be, but that hasn't stopped me yet with Ween, and I'm not gonna start now.
The fun bits on this album are utterly swallowed by the laziness and ineptitude of the others. The opening couple of minutes are bit of directionless hippy rambling, but once the bongos pick up the pace, leading into those great noisy discordant riffs, which in turn become a launching pad for incredible noise, I'm happy as can be.