Lucy Doll And Penelope Kayak
Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney. Lucy doll and penelope kay. National Gallery of Victoria, Melbourne, Australia. Jaklyn Babington, Know My Name, NGA, 2021, p. 11. Her surreal drawings, hybrid animals and vehicular creatures question the way that contemporary technology and culture changes our understanding of what it means to be human and wonders at our relationships with – and responsibilities towards – that which we create.
Lucy Doll And Penelope Kay Adams
Penelope Grist, Portrait, National Portrait Gallery, Spring/Summer, 2014, pp. Art Life 21, Spiral TV, Spiral/Wacoal Art Centre, Tokyo, Japan. Ron Radford, Collection Highlights, National Gallery of Australia, 2014, p. 196. Diana Warnes, Under My Skin (Exhibition Catalogue), Rockhampton Art Gallery, 2013, p. 49. 35, Summer, 1998, p. 40. Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 18-Feb-1993, p. 25. Reshaped Reality, Chiang Kai-sheck Memorial Hall, Taipei, Taiwan. Sun-Hee, Kim, A Window Inside Outside (exhibition catalogue), Gwangju City Art Museum, Korea, 1999. Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002. Lucy doll and penelope kayak. Bodeker, Katja and Hammer, Carmen, Wunderforschung, Nicolai, 2010, pp. Apocalyptic Horse, Heide III: Albert & Barbara Tucker Gallery, Bulleen, Australia. Saehrendt, Christian & Kittl, Steen, Sprachfuhrer Deutsch - Kunst, Kunst - Deutsch, Dumont Buchverlag, Koln, 2008, pp. 20/21, November 1991, p. 18. Anna Davis, New Romance.
Lucy Doll And Penelope Kayak
Patricia Piccinini, Scott Lawrie Gallery, Auckland, New Zealand. Robertson, Jean and McDaniel, Craig, Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2010, pp. Weird and Wonderful, Museum Folkwang, Essen, Germany. Lucy doll and penelope kay adams. Hackett, Edward, Reflections for Looking Forward,, 44205, pp. Hug: Recent Works by Patricia Piccinini, Des Moines Art Center, Des Moines, USA. Marsh, Anne, City Theme Rules, Herald Sun, 34471, p. 47.
Lucy Doll And Penelope Kay
The New Romance, National Museum of Contemporary Art, Seoul, South Korea. Er den levende?, Arken Museum of Modern Art, Copenhagen, Denmark. Skywhale, Canberra Centenary, Dark Mofo, Canberra, Hobart,, Australia. Eccles, Jeremy, For the Love of Her Art, The Canberra Times, 37765, pp. 2112: Imagining the Future, RMIT Gallery, Melbourne, Australia. Relativity, Art Gallery of Western Australia, Perth, Australia. Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002.
Inspiring Art> recipients of the Pat Corrigan Artists Grant, Maitland Regional Art Gallery, Maitland, Australia. Lethbridge, Brett, Beauty Beyond Bizarre, The Courier-Mail, 15-Jun-2003, p. 30. Ewen McDonald, MCA Collection. McAuliffe, Chris, and Harvey, Sue, see here now: Visard Foundation Art Collection of the 1990s, Thames and Hudson, Victoria, 2003, pp. Green, Erica, Colliding Worlds, Samstag Museum, University of Adelaide, 2009, pp. Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. Brennan, Stella, Border Patrol, In Another Life, 2006, pp. Yanki Lee, Kana Ohashi, Speculations: Beyond Human Centered Design, Shinano Co, 2019, pp. Naylor, Stephen, Feeling the heat at the 50th Venice Biennale, Art Monthly Australia, no. High Tide, Zacheta National Gallery of Art, Warsaw, Poland.
Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018. Patricia Piccinini, Leeahn Gallery, Daegu and Seoul, Korea. Projects, Seattle Art Fair, Seattle, USA. Neo-Goth: Back In Black, University of Queensland Art Museum, Brisbane, Australia.