Laurence Gartel Experimental Television Center
There was no such thing as memory chips. That led to my leaving the ETC. To commemorate the 50th Anniversary of the Experimental Television Center we asked artists and friends to share their recollections and thoughts. ETC: Experimental Television Center 1969-2009. Tools; Ritzenhoff Cristal, Germany; and numerous international private. Thank you both and also to Hank Rudolph for creating such a dynamic and inspirational art zone for creativity!
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Laurence Gartel Experimental Television Center Tools
To the general public and many in the field, it was impossible to separate video as an artistic practice from television, as an industrial model. Those materials weren't obvious in consumer video products, in part because, unlike film, they are largely invisible and intangible. The film is 23 minutes. He thought I was nuts, but I took that as a compliment! Laurence gartel experimental television center jobs. The workshop enabled me to begin work as a media artist and in 1978 I made my first piece which was exhibited in the Ithaca Video Festival. Professional Organizations. At this time, turn key proprietary systems were being introduced to the world. I am eternally grateful for Sherry's support, Hank's tech know-how, Dave's inventions, Ralph's experimental vision and everyone else who made ETC possible. It was a pleasure assisting creative artists at work in the video studio. Now high resolution devices were within the range of professionals.
Laurence Gartel Experimental Television Center For The Study
Laurence Gartel Experimental Television Center Jobs
It turned out to be far more extensive than I had anticipated — reflecting the contagious spread of things ETC in my work and life. In the 1980s, into the early 1990s, I had submitted a number of applications to the ETC for finishing funds. Masur Museum of Art, Monroe, LA, 1994. Whatever was going on at this place was perceived, by some, as either out of its time, or already outdated, rather than ahead of its time. "Cyberotika, " Atlanta, Georgia, 2001. Selected Commissions: First Naples International Film Festival Official Poster. Martin, Darrin - Monograph in stereo. Buckner, Barbara - Pictures of the lost. LoVid - Susquehanna. "Laurence M. Gartel" Advertising Age Magazine, NY, Dec. 1989. The process was always open-ended — setting up patches and playing source footage over and over, rescanning and recording dynamically tweaked processing variations in real time. Laurence gartel experimental television center blog. Of all the tools available in the studio, my favorite by far was the Paik-Abe Wobulator which required careful 'tuning' to achieve the sorts of subtle raster distortions that I desired.
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Dave Jones at ETC (photo). From my perspective the TV Center was the source that fed that tributary. It was a goal, it was a desire, it was a passion; it was a straight line. The collaborations between ETC artists and the nearby American Dance Asylum exposed me to modern dance. "GARTEL:" DOCUMENTARY – Preview Trailer LONDON, 2002. Without ETC I would have never gone to art school. From 1972 to 1976 I practically lived at the Television Center. "Regional: Figuring, " Florida Atlantic University, Boca Raton, Fl, 2000.
Laurence Gartel Experimental Television Center Blog
I would have been strictly audio and print. In London, October 2007, the Victoria and Albert (V&A) Museum acquired an early (circa 1978) digital video piece for it's permanent collection. CHAIRMAN: Electronic Publishing, International Fine Arts College, Miami, FL, 1996-1998. GARTEL made experimental gestures with new "drawing" tools and came up with new abstractions the world had never seen before. Video artists danced and dancers did video. It was a week when any time I turned on the radio, the Los del Río song "Macarena" seemed to be playing, but it was when it was still new — before it became a mantra of almost existential dread punctuated by line dancing. I attended a summer term there where formal classes for academic credit displaced studio use.
The Experimental Television Center lives in that tributary. Checking links and finding descriptions for an early version of the Video History Project website and doing video documentation for ETC at the Upstate NY Video History Conference helped me to learn this community and its history. David Jones was always very generous with his time showing me the ins and outs of the analog patching. Florida State Individual Visual Arts Fellowship Grants, Tallahassee, FL, June, 2000. The first few days would be the struggle of rusty relearning the patch bay world of knobs, switches and handmade gear quirks (I see you Paik Wobulator! Nuvo Japonica, Verbum Gallery, San Diego, CA, 1991. Rose, Peter - Babel. Peer wrote a wonderful essay on his experience at the ETC, please read it. GARTEL: Larger than Life, Caitlyn Gallery, St. Louis, MO, 1999.