Sturgill Simpson - Metamodern Sounds In Country Music Vinyl –

Thanks so much for talking with us, Sturgill. On the rocking "Life of Sin, " Simpson's acoustic guitar meets Laur Joamets' razor-sharp Telecaster leads in a cut-time shuffle that explodes in a country boogie. The track features Cobb's nylon-string guitar, the wafting tapes of a Mellotron, electric bass, acoustic and electric guitars, and sharp drums framing Simpson's lyrics that refer to Jesus, the Old Testament, Buddha, mythology, cosmology, drugs, and physics, before concluding that "love is the only thing that saved my life, " making it a glorious cosmic cowboy song. Go out and eat 10 grams of mushrooms and you'll understand life. Feel you've reached this message in error? Sturgill Simpson won many fans with his 2013 debut album, High Top Mountain. So the thought of sitting down and having to barrel out another album of heartbroken drinking songs wasn't something that I found tremendously inspiring. How old were you at the time? Which sounded amazingly fun and challenging, so we were all for it. Sturgill simpson just let go lyrics air supply. You know, I don't pretend to be an astrophysicist or anything, even though I do read about certain things like metaphysics and cosmology that I've always just been really interested in.

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Sturgill Simpson Songs Lyrics

Yeah, I've never been a very ambitious person. He's trucking along. I started out in Salt Lake at this big giant intermodal train yard. Sturgill simpson songs lyrics. On the new album Metamodern Sounds in Country Music, Sturgill Simpson uses some familiar country sounds to get at themes that are a bit more transcendental. The set is introduced by his 82-year-old coal-mining grandfather Dood Fraley on opener and first single "Turtles All the Way Down. "

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But what's that about? But it honestly, when I sit down to listen to music, country's usually the last thing I go towards because I've just absorbed so much of it. So I came back and moved in with them down in eastern Kentucky for about a while. And I'm pretty sure I'll never be able to do what they did as well as they did, so I'm just trying to be me. Yeah, it is hard to do.

Point me to a track or a lyric that you think illustrates that. And as a result I started pulling the guitar out of the closet for the first time in about three years and really, really writing a lot. When we found out we were having a baby, I kind of went into what I will call my last great existentialist dilemma. NPR's Rachel Martin spoke with Simpson to find out what inspired such heady lyrics and whether he considers himself part of the country tradition at all. I think I put on, like, 35 pounds.

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Doing what on the railroad? Or from the SoundCloud app. Oh, yeah, absolutely. But a lot of the journalists have gotten hung up on one or two things that weren't really the main objective for me writing it. The Waylon Jennings-esque quality in Simpson's singing voice remains, but that's built in. And I thought we needed a figurative hellish trip there at the end. And so I found myself stuck back in this place that, for whatever reason, I could just never flower very well in. So the fact that not only were they alive to know about it, but they were there in the audience, was pretty surreal. Simpson is too honest, restless and dedicated to country music's illustrious legacy to simply frame it as a musical museum piece. There's nothing else I could ever do or accomplish in their eyes that would be considered "making it. " Can you give me one or two? I moved out there at 28.

The most important thing is for me is, I don't ever want to get stuck in some self-imposed novelty box, or just trying to make records like Conway and George did because, well, they've already done it. I don't want to say it's frustrating because — well, just because of where I'm from, I was exposed to so much of that inflection as a young child that whenever I sit down to write or sing, that's the only thing that comes out. No, actually, I can't take credit. It's never something you ever think for a second growing up, "Oh, I can do this for a living. "

Sturgill Simpson Just Let Go Lyrics And Chords

And thankfully, she said, "You know, you don't exactly suck at this, and you're gonna wake up and be 40 and know that you never tried to do what you really love. " I'm just not occupying a head space anymore of where I spent a lot of time in my early life — you know, where most country songs come from. And I thought, "That's a great idea. Pandora isn't available in this country right now... Which was focused around what? Thank you very much. There's an old joke that if you play a country song in reverse, your dog runs home, your wife comes back to you, and your pickup truck starts running again — the point being, modern country music is usually filled with distinctly blue-collar, down-to-earth woes. I'm also influenced by a lot of modern music — electronica, which will turn off a lot of country fans, I'm sure. If you're gonna make a record, I wanna make records that people want to listen to all the way through. Simpson's prescient, philosophical lyrics are framed inside phased, wah-wah'ed, and reverbed guitars, crunchy snares, haunting mellotron, spacy slide lines, and instrumental backmasking that wind into the stratosphere. I'll be he's very proud of you. I don't pretend to be able to sit down and pontificate on any of these subjects.

But you know, in eastern Kentucky, everybody plays music. There are two covers here: One is a killer reading of Charlie Moore's and Bill Napier's trucker anthem "Long White Line" that careens and chugs with Joamets' razor-wire Telecaster and Simpson's flatpicking. And operating locomotives. Well, it was very physical and element-exposed.

And even though there are some pretty blatant references to certain naturally occurring entheogenic compounds on the planet, I wasn't really saying, "Hey everybody! I guess all I was trying to say with the record is just we should just be nice to each other. You know, any of those bars in East Nashville that are hotspots, that you can walk into on a Friday or Saturday night — back then there'd be six people in there. And I think the main purpose, or at least from my observation and what I've learned about myself — I used to be a pretty negative, angry, self-destructive human being, and once you get to the root of why those things are taking place, it helps you to understand a little bit more about things you see on the news every night. Is your grandfather still around?

And I'll I'll say this: Shooter Jennings told me that I sound like his father, so I'll take it from him. When did you meet your wife? His attitude, maybe, is what people are comparing. And it really was a great thing for me because I kind of threw myself into the job and found a very clear state, and sobriety, for the first time. So I headed out west for about three or four years, working on the railroad. "A Little Light" is rockabilly-country-gospel with wrangling guitars, handclaps, ragged-but-right vocal harmonies, and plenty of spiritual swagger. "Voices" addresses the collective and troubled history about coal-mining with wisdom--all inside a spacious yet lean three-minute country song. It's just from an esoteric stance. So talk about this as being a chapter in your life, this kind of cosmic existentialism that was happening for you, and your wife said, "Go write some music so you can get it out of your system. " So then what happened? It sounds like, when you decided that you wanted to go for this music thing full bore, you knew pretty clearly what you didn't want to be. So your music — a lot of people have said this — has this kind of classic, outlaw country sound to it.

OK, I will attempt to do my best here. You were really close with your grandfather, too. I probably do need to get a job. " It was like a switching facility. Just in the song "Turtles All the Way Down, " w e've got references to Jesus and Buddha, drugs and turtles; there's a lot going on. But I did meet my wife, and realized, "OK, this is someone I care very much about, and I want to make a living and take care of each other. For his sophomore date, he and his band entered a Nashville studio with producer/engineer Dave Cobb (Jason Isbell), and cut Metamodern Sounds in Country Music live-to-tape in four days. Really, I wanted to make a social consciousness album about love. Reto Sterchi/Courtesy of the artist. But there are so many influences, and I'm trying to fit them all in concept albums — which is all I really have any interest in making. I screwed up really good and proper and took a management position. Clearly you're interested in finding your own path and doing things your own, way but I also read that you performed at the Grand Ole Opry — which is old school. I think when you're dealing with any issues about trying to become a better human being, you have to look at a lot of things about yourself that maybe you don't want to or aren't able to. "Just Let Go" is Buddhist gospel, with gorgeous harmonies, spiralling mellotron, slide guitars, poetic lyrics, and organ--it's one of the set's finest moments.