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It's Not about the Art in the Folk, It's about the Folks in the Art: A Curator's Tale (Tey Marianna Nunn). At Moreno's prompting, she became involved with the. COLUMN OF THE AMERICAS by Patrisia Gonzales and Roberto Rodriguez. As one of four featured artists in an exhibit titled Cyber Arte: Tradition Meets Technology, López's mixed media piece "Our Lady" had been printed on postcards advertising the opening of the exhibit, where it had caught the attention of the Hispanic religious community and the Our Lady of Guadalupe Catholic Church. The contested image and the controversy it garnered are at the heart of the edited collection Our Lady of Controversy: Alma López's Irreverent Apparition, edited by Alicia Gaspar de Alba and Alma López. Alicia Gaspar de Alba ("Devil in a Rose Bikini") takes up the protests and counter protests launched in and around the Cyber Arte exhibition, demonstrating the complexities of discourse and circulation and noting the irony inherent in López's rise to fame through public outcry.

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Her nine previous books encompass historical novels, poetry, short stories, and a cultural study of Chicano art. Become ground zero for this controversy. New copy - Usually dispatched within 5-9 working days. Gonzales is the author of the forthcoming "The Mud People: Anonymous Heroes of Mexico" and co-author of "Gonzales/Rodriguez: Uncut & Uncensored" (ISBN: 0-918520-22-3 -- Ethnic Studies Library Publications Unit, UC Berkeley. Feminist Studies, 34(1/2), 131-150. To contact the museum: or (505) 476- 1200. The governor observed: "If you take it down, then where do you draw the line on the next piece of art? In/Different Spaces: Place and Memory in Visual Culture. Our Lady of Controversy: Alma Lopez's "Irreverent" Apparition, edited by Alicia Gaspar de Alba and Alma Lopez published by University of Texas Press, 2011. Many, including myself, feel that there is nothing anyone can do to change how the original image of the Virgen de Guadalupe is generally perceived. The print itself spent a decade in storage, then was exhibited at the Oakland Museum of California in 2011. In this image the Virgen walks with her head bowed, hands clasped wearing a dress below the knee. "I'm a very spiritual person. About the Contributors.

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"Our Lady" Only Latest in String of Art Controversies', The Santa Fe New Mexican (April 1) 2001. Lee, Morgan 'Heritage Stirred Into Debate Over "Our Lady"', Albuquerque Journal (April 16) 2001: A1. Thank you, On Wednesday, April 4 at 10am at the Museum of International of Folk Art, the governing board of New Mexico's state museum system will consider removing an artwork that has offended some Roman Catholics in New Mexico. "Our Lady of Controversy", Los Angeles Times (May 27) 2001. Catholic-sponsored Proyecto Pastoral in East L. She has employed Our Lady.

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Kathleen Fitzcallaghan Jones ("The War of the Roses") takes a wide lens, situating the controversy in both local and national politics. Acknowledgments Our Lady of Controversy: A Subject That Needs No Introduction (Alicia Gaspar de Alba). Moon and earth entities and vestiges of the Virgen de Guadalupe. The focus of my paper is Alma López who draws from indigenous traditions and archetypes in order to rewrite them from a feminist perspective and provide Latinas with alternative paradigms for the construction of the 21st century identities. Lopez views her work as part of a long Chicana tradition. "The only connection is the religious part of it, " she said. COLUMN OF THE AMERICAS. Chicana/LatinaStudies: The Journal of MALCS. Her essay elucidates the rationale behind the exhibition and the issues of identity, politics and culture that played out over the course of the protests in Santa Fe. The raw brutality of police officers against protestors at the East L. A. Chicano.

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It means that it's ok for men to look at our bodies as ugly. For more information: Join the Discussion. Our Lady of Controversy is a necessary contribution to studies in Chicana/Hispana/Latina feminism, art criticism and religion. This museum like other museums are sites of learning. An anthology of vibrant responses to Alma López's controversial print Our Lady, exploring critical issues of censorship, religion, and the female body. For our press release, click here. The essays in the collection operate under a chiastic structure, a form of wordplay in which words or phrases are reversed, causing an inversion of ideas and arguments. Thanks for the insight. Of Guadalupe in her own work as a performance artist.

Our Lady By Alma Lopez

Accompanied by a bonus DVD of Alma Lopez's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda Lopez, Ester Hernandez, and Alma Lopez, Our Lady of Controversy promises to ignite important new dialogues. Seller Inventory # 12106818-n. Book Description Mixed Media Product. Additionally, many black-and-white images of López's work are spread liberally throughout the chapters, each engaging a different set of her visual art. Months before Alma Lopez's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Xii, 322 p., [8] p. of plates: ill. (some col. ); 24 cm. The "offending" work, "Our Lady" is a photo-based digital print on exhibition in a museum, and not an object of devotion in a church.

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Yet it's complexities, both thematically and theoretically, make the volume suitable for post-graduate readers. So many people have emailed me and contacted the museum expressing their concern over these attacks. So what's wrong with this? Does the church have the right to stop artists from using this image? "That's when the homophobia started, " she says. Part of what has surprised Lopez about religious objections to "Our Lady"'s less-than-fully-clothed state is that so many religious icons in churches bare a great deal of skin. I am forced to wonder how men like Mr. Villegas and the Archbishop are looking at my work that they feel it is "blasphemy" and "the devil. " This essay closely reads Alma López's digital print, California Fashions Slaves (1997), which depicts Macrina López, the artist's mother and a seamstress, alongside mexicana garment workers within a Los Angeles cityscape.

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"Work Not Meant to Offend, L. A. Hernandez—a founding member of Las Mujeres Muralistas, an influential San Francisco-based muralists' group—would later, on the heels of Arizona's SB 1070, create a "Wanted" poster depicting La Virgencita as a terrorist. "It's really about what's in their [the protestor's] hearts and experiences that they would see it as a sexual image necessarily. She stands on a bare-chested. The publication of Our Lady a Controversy: Alma López's Irreverent Apparition addresses this controversy. Lopez gained notoriety in 2001, when the Catholic Church attempted to censor her digital print, Our Lady, which was showcased in the exhibition Cyber Arte: Where Technology Meets Tradition, curated by Tey Marianna Nunn at the Museum of International Folk Art in Santa Fe, New Mexico. In 2001, Alma López's digital collage, Our Lady appeared in an exhibition at the Museum of International Folk Art in Santa Fe, New Mexico. An eight-page full color spread of twelve of López's pieces gives readers the opportunity to closely examine the works for themselves, guided by the interpretive frameworks provided by the other chapters.

In a sense, she led a double life. The controversial piece is part of Cyber Arte: Where Tradition Meets Technology (through October 28, 2001), an exhibition featuring computer-inspired work by contemporary Hispana/Chicana/Latina artists, who combine elements traditionally defined as "folk" with current computer technology to create a new aesthetic. It makes me sad that this has been a divisive issue especially along gender lines, to see brothers and sisters fighting, and to see politicians trying to use this as an excuse to cut funds in art and education. "—Charlene Villaseñor Black, Associate Professor of Art History, UCLA.

Note: This meeting has been rescheduled for April 16th on Monday. She has helped to establish several collaborative arts groups, which worked on such issues as immigration, race relations, labor, sexism, and sexuality. Central to the collection is the notion of re-visionist art and decolonising colonial images. Book Description Soft Cover. These contributions invoke the chiastic nature of the controversy, particularly the issues of secular/sacred, insider/outsider and artistic subordination/artistic progression.

Appendix: Selected Viewer Comments. Difficult moments like these are opportunities for us to learn the truth about our culture and history. "Alma López is one of the most visible Chicana artists active today, " says Art History Prfessor Charlene Villaseñor Black. Yolanda Lopez received bomb threats for her portrayal of the Virgen wearing low-heeled shoes. Not only is López's own voice woven throughout, in two chapters authored by the artist, but her art is also given the space to speak for itself.

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