Water Fountain Lyrics Tune Yards, Whiskey Myers – John Wayne Lyrics | Lyrics
Use the citation below to add these lyrics to your bibliography: Style: MLA Chicago APA. 18 Dan Weiss, "tUnE-yArDs Uses her Lungs, " The Village Voice, 7 May 2014, accessed 1 May 2014,. Round and round and round okay. "I was having a lot of anxiety about water in my own community, where there has been a huge drought, " Garbus told Billboard magazine. Another recurring theme is water, which we can only speculate emerges from Garbus's extensive experience near it (in Montreal, Oakland, East Africa, and Haiti, for example). This could be because you're using an anonymous Private/Proxy network, or because suspicious activity came from somewhere in your network at some point. Would-ja, would-ja, would-ja. Nothing much to do when you're going nowhere (Do it till you disappear). Tune-Yards - Water Fountain Lyrics. The same tone permeates "Time of Dark, " an open, mixed-meter groove that uses the verse-chorus form to great effect.
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Water Fountain By Tune Yards
W h o k i l l transformed tUnE-yArDs from solely an artistic manifestation of Merrill Garbus's veritable imagination to a collaboration project with Brenner. We may ask what it means for African music to be transformed and transmitted to a mass audience by a white woman who grew up in the Connecticut suburb of New Canaan and attended Smith College. The sonic result expresses the filth and brutality of rape. No water in the water fountain (Floral bouquet). Detached from an African cultural history (and thus a shared social and somatic memory), there are no authenticating links between the African Diaspora and Garbus's experiences and upbringing. And they're sharing new track 'hold yourself. ' As it turned out, w h o k i l l (2011), originally conceived as Women Who Kill, did that and much more. This is Tune-Yards all over; a batshit crazy but ultimately brilliant wall of noise. The former features a high-register ostinato—which gets doubled in the sax section towards the song's end—constructed from vocal interlocking. As the last song on the album, tUnE-yArDs clearly wants this chant-like call-to-arms to serve as an aural after-image. Garbus launched the Water Fountain fund in December 2014 dedicated to water issues around the world. I can't seem to feel it, I can't seem to find it. Nationhood here is potentially conflated with sexual preference and the United States's ambivalent attitude towards the subject.
In this episode, Merrill Garbus of Tune-Yards breaks down "Water Fountain. " Perhaps as a result, notable extensions of their highly acclaimed sophomore recording w h o k i l l (2011) can be found, including a greater reliance on Brenner's spacious and groove-driven bass lines, a freer use of choral interjection and hard panning, a mixing and matching of verse-chorus form and flash refrains, and a propensity for climactic textural accumulation near songs' conclusions. I cannot get the spot out but it's OK, it still works in the store. Through the sun-spangled glare coming off of "Water Fountain", it's not always clear. Nothing much to do when you′re going nowhere. With its hopscotch feel and clave propulsion, the single "Water Fountain" directly follows. It comes ahead of the release of their new album 'sketchy.
I can't seem to feel all new all new all new the cold stew. We′re gonna get the water from your house, your house. As ethnomusicologist Steven Feld pointed out in "Pygmy POP: A Genealogy of Schizophonic Mimesis, " the commodification of pygmy field recordings, through their reinterpretation in pop and art music, creates a series of unintended histories for the performance practices of Central African forest nomads. Les internautes qui ont aimé "Water Fountain" aiment aussi: Infos sur "Water Fountain": Interprète: Tune-Yards. Stuff me up with your home grown rice. 5 "Gangsta" contains fragments of Aka pygmy-sounding yodeling—presented in a lo-fi timbre that emulates a field recording—with numerous vocal phrase repetitions over an infectious rock groove.
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American Music Review. What comes across as like a radical agenda…the radical agenda that girls on college campuses should be protected from rape? " TUnE-yArDs Concert Setlists & Tour Dates. Try our Playlist Names Generator. And I know it, Friday use. 13 Gaunt inverts the assumed unidirectionality of the flow of influence between African American popular genres and such social practices, claiming that the latter may offer much to the former.
See Chuck Klosterman, "The Pitfalls of Indie Fame: On tUnE-yArDs and the Perils of Critical Adoration, " 27 January 2012, accessed 2 May 2014,. In an interview with The Village Voice's Dan Weiss, Garbus averred, "It does seem so fucking simple, but students are raping girls on college campuses, just things that we can't believe are still happening. By Michael P. Lupo, CUNY Graduate Center. This is particularly relevant given her own position as an up-and-coming "indie" star, legitimate talent, and white female appropriator of the music of Africa and the Diaspora. No side on the side walk.
PASS: Unlimited access to over 1 million arrangements for every instrument, genre & skill level Start Your Free Month. Lines like "If you just press your fingers down under my skin (go on and do it)/Lift up, dig up, dig up and bleed for me/I say, I'll bleed if you ask me/I'll bleed if you ask me/That's when, that's when, he said no" thematize victimization, perhaps of a sexual nature, while reversing normative gender performativity. Your fist clenched my neck. Scheduled start: 8:00 PM.
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0 This is evidenced in an interview given at the 2011 Pitchfork Music Festival where Garbus notes, "I think that what's been important to me is just to talk about it and talk about the fact that it is complicated to be a white girl who grew up in an upper-middle class household, with many privileges, a university education, you know, taking this music from cultures that I really know nothing about. " I can"t seem to feel I"ll kneel. Find more lyrics at ※. 10 The presence of these elements in Garbus's music places her in dialogue with the many other artists who have done the same, albeit in different ways. 12 Further, in The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop, Kyra D. Gaunt offers an updated and corpo-centric exploration of these issues in a different context, as she demonstrates "how black musical style and behavior are learned through oral-kinetic practices that not only teach an embodied discourse of black music expression" but also inform a "discourse about appropriate and transgressive gender and racial roles" in African American populations. Artist name: tUnE-yArDs. When he had enough of them, he bought himself a cherry pie.
This piece combines the different aesthetics of drought politics, dance hall dub and youthful drive to create something that is at once as ordered as it is chaotic. However Garbus told NME; "The songs aren't about anything. 6 For example, see Caitin White, "Album Review: tUnE-yArDs—Nikki Nack, " Consequence of Sound Album Reviews, last modified 6 May 2014, - 7 The most typical sources by far were the LPs made by Colin Turnbull and Simha Arom in the 1960s and 1970s. Her interest in the function of music as a vehicle to interrogate Otherness offers an opportunity to change the conversation from viewing music in a context of cultural appropriation (and thus perhaps exploitation or fetishization) to functioning as a context for exploring power dynamics through the topics of nationality, childishness, and living with fear. Emphasis in original. This is the lead single for tUnE-yArDs 'Nikki Nack' album, released online March 18th 2014. 16 "Left Behind" similarly engages a politicized critique of power structures through its text while simultaneously being sonically playful ("Nikki Nikki Nack"/ "We said we wouldn't let 'em take our soil/ These days don't it just make your blood boil"). 30 Manchester, Gorilla *. Accompanied by a video akin to a tribal, dance-infused, pastel-colored episode of Pee-Wee's Playhouse, Brenner's simple, ostinato bass line holds up syncopated choral exclamations that create a sense of levity and repetitive motion. In 2012, it was named the number one album of 2011 by critics in The Village Voice's annual "Pazz and Jop" poll. Get your unlimited access PASS! You'll ride the crack.
The prevalence of choral interjections in all their assonant, soulful glory ("Little white LIES/You rode my SIGHT/When I look into his EYES so") is also a welcome touch, one that can be found in other tracks such as "Hey Life" ("I don't KNOW where to GO/But I can't seem to GO SLOWly, NO). I can't seem to feel itAnnotate. Embellishing sixteenths in beat three of every other iteration of these lyrics mimic the kind of flagrant jeering that asserts dominance. Thread your fingers through my hair Fingers through my hair Give me a dress Give me a press I give a thing a caress Would-ja, would-ja, would-ja Listen to the words I say! In times long past, this planet was the home of a mighty, noble race of beings who called themselves the Krell. These novelties work in concert with the characteristics that define Garbus's idiolect, including her skip-rope-rhyme, boisterous vocal delivery, dark lullaby poetry, and a keenness for non-Western ways of structuring time. From her days in Putney, Vermont at the Sunglass Theater improvising outlandish scenarios with her homemade hand puppets to her travels to Lamu, Kenya studying taarab, human engagement across borders and ages has served as her principal catalyst for creativity. 'Nikki Nack' is released on 6th May through 4AD.
This song is was recorded in front of a live audience. Small children were the last to be eligible for the vaccine, and Whiskey Myers added two small children in 2020 and 2021. Video Of John Wayne Song. We had some that we were worried about getting into my actual fracture. Karang - Out of tune? Wish You Were Here is a song recorded by Brandon Jenkins for the album Undone: A Musicfest Tribute to Robert Earl Keen that was released in 2009.
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The 10 (plus a 52-second opening instrumental) remaining songs are sharp, meaningful, guitar-fueled and ready for the stage. My wife was seven-and-a-half or eight months pregnant. Created Apr 12, 2019. This song is sung by Whiskey Myers. Values over 80% suggest that the track was most definitely performed in front of a live audience.
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Create an account to follow your favorite communities and start taking part in conversations. Like there ain't nothing wrong. If I Were the Devil is a song recorded by Colby Acuff for the album of the same name If I Were the Devil that was released in 2021. With Wynk, you can now access to all Whiskey Myers's songs, biography, and albums.
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In the era of the internet, ingress the peaceful world by listening to songs from your favorite artist whom you love to listen to every day. Paroles2Chansons dispose d'un accord de licence de paroles de chansons avec la Société des Editeurs et Auteurs de Musique (SEAM). Me and the Whiskey is a(n) & country song recorded by Whitey Morgan and the 78's for the album Sonic Ranch that was released in 2015 (US) by Whitey Morgan Music. Red Dirt is a song recorded by Johnny Cooper for the album Ignition that was released in 2007. Add extended interpretation. The duration of Threadbare Gypsy Soul is 4 minutes 51 seconds long. Mexican Wind is a song recorded by Ryan Wilcox for the album Sunday Morning Sin that was released in 2017. Mud is a song recorded by Whiskey Myers for the album of the same name Mud that was released in 2016. Modern Day Bonnie and Clyde is a(n) & country song recorded by Travis Tritt (James Travis Tritt) for the album Down The Road I Go that was released in 2000 (US) by Columbia. For a cheap $149, buy one-off beats by top producers to use in your songs. Bar, Guitar, and a Honky Tonk Crowd. Other popular songs by Turnpike Troubadours includes 7 & 7, Fall Out Of Love, The Hard Way, Call A Spade A Spade, Old Time Feeling (Like Before), and others. They began to incorporate the talent and imagination of friend and guitarist John Jeffers.
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Oklahoma Breakdown is unlikely to be acoustic. Mix 'Em With Whiskey is a song recorded by Drake White for the album Stars that was released in 2020. E is a song recorded by Matt Mason for the album The Writers Collection Volume One that was released in 2017. Ever now and then I think about him when I set down to play. Early Morning Shakes. Not only wear your seatbelt, but a whole lot of other deeper stuff. About John Wayne Song. This is a Premium feature.
Threadbare Gypsy Soul is unlikely to be acoustic. We started really listening to what was going on and we got a feel for it and it was, "Hey, we're not going back. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics. We're very fortunate to be back on the stages again just doing what we love. Hey, Leigh is unlikely to be acoustic.
I'ma dance outside the gates. Blue Light Special is a song recorded by Kenny Feidler for the album of the same name Blue Light Special that was released in 2020. Goodbye Carolina is unlikely to be acoustic. It was a cold and cruel evening Sneaking up on Speedy Creek Found myself asleep and in the snow One or two odd reasons I ain't too proud to repeat For now we'll say I had no place to go There was a rustle and a humming Just hauling down the street I drew myself up from my icy bed Painted on that shiny car the letters 'RCM and P'... Too Young is a song recorded by Thieving Birds for the album Thieving Birds that was released in 2011. R/CountryMusicStuff. In our opinion, Oklahoma Breakdown is great for dancing along with its moderately happy mood.
Other popular songs by Cody Johnson includes Ride With Me, There's You, Baby's Blue, Slam The Door, Another Try, and others. Gemtracks is a marketplace for original beats and instrumental backing tracks you can use for your own songs. The road rolls out like a welcome mat To a better place than the one we're at And I ain't got no kinda plan I've had all of this town I can stand I got friends out on the coast We can jump in the water and see what floats We've been saving for a rainy day Let's beat the storm and be on our way. We had some bubbles of oxygen that were getting into my main artery. You can now connect with the new artists, albums, and songs of your choice effortlessly. It opened us up to a whole new group of people that have never been exposed to our music.