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36 Analogously, "I Do It For Your Love" articulates its narrative division with the first of the tonal pattern completions, once more by descending fifth. "Still Crazy, " however, veers back and forth between A major and G major from the introduction to the ending. Make sure you go and check out the incredible Still Crazy After All These Years from one of….
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Significantly, Side 1 closes with a fable, Side 2 with an epilogue, thereby engendering a sense of formal symmetry. One Is The Loneliest Number. 8 Because they entail so broad a range of possibilities, the following general conditions will guide the analysis. You are reading the older HTML site. Given the prevalence of fifths progressions in popular music including Simon's, questions could be raised regarding a descending fifths pattern completion as a structural determinant. Tonally, the song hinges on the conflict between the keys of G major and A major, and the progression of descending fifths, E-A-D-G. Like many songs on the album, "Still Crazy After All These Years" is based on 32-bar song form, A A B A. 26 Note that the overall E-to-G progression condenses the harmonic motion of the preceding songs. To summarize, the tonic resolution at the end of "I Do It For Your Love" signals the first major musical division by means of completing the E-A-D-G pattern initiated by the opening song.
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2 (Summer 1991): 301-323; and Barbara Bradby and Brian Torode, "'Maybellene' meaning and the listening subject, " Popular Music 4 (1984): 183-206. The narrative division is further articulated by two tonal pattern completions which are generally congruent with the grouping by association. Published online: 1 October 1992. Released in May, 1973 There Goes Rhymin' Simon "Combined a variety of musical textures (from a touch of gospel to an infectious trace of Jamaican rhythm to a hint of the old Simon and Garfunkel grandeur), " wrote LA Times critic Robert Hilburn. 1986's Graceland changed all that, its pop, a cappella, rock, isicathamiya and mbaqanga (singing styles of the South African Zulus) styles recorded in Johannesburg, South Africa with many local musicians including Ladysmith Black Mambazo. Written after the end of Simon's marriage, 1975's Still Crazy After All These Years was infinitely darker than its predecessor, the music revealing a bitterness and cynicism that belied the album s feelgood tracks "My Little Town" and "Gone At Last. " Thursday's extravaganza is a moment of musical good cheer in New York, a once-vibrant hamlet battered by crime, red ink, rising taxes and constantly lowering expectations. The Great Intoxication. Analyses of individual songs, albeit within broader contexts, include Don Michael Randel, "Crossing Over with Rubén Blades, " Journal of the American Musicological Society 44, no. The second pattern consists of a stepwise motion away from and back to C spanning Side 2. Singer-Songwriter Trifecta: Sony/Legacy reissues Paul Simon's Paul Simon, There Goes Rhymin' Simon, and Still Crazy After All These Years.
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And we drank ourselves some beers. E., "Gone At Last, " "Have A Good Time, " and "You're Kind" (Example 5). Each additional print is $4. 2 (Fall 1989): 207-225. God Bless The Absentee. "You can hear how hard he works, like the changes in 'Still Crazy. Carolina In My Mind. Over the last ten years, popular music criticism has become an academically viable and even trendy affair embodying a broad range of subjects and methodologies. Still Crazy... was a huge success for Simon, but the recording quality had nothing to do with it. This is what AllMusic said when they reviewed the album: "The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. The Kids Aren't Alright. Note the distinction between narrative songs—i. 1 For a representative sample of stylistic and cultural studies, see Simon Frith and Andrew Goodwin, eds., On Record: Rock, Pop, and the Written Word (New York: Pantheon Books, 1990). But another reprise of Simon & Garfunkel "is not what this show is about, " he said.
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Translation by Philip L. Miller. Originally released on Record Store Day October 2013, the Simon reissues didn't get a lot of press, undeservedly so. FEATURE: Vinyl Corner. Given the extensive literature on the criteria distinguishing multi-movement cycles from mere collections, I shall defer from reevaluating this issue here.
The wait made him a student again, not only of theory and harmony, but of voice, classical guitar and Brazilian music, particularly "a lot of Jobim music. " 20 Interestingly, when Simon undertook a tour to support the album, "Night Game" and "Silent Eyes" were the only two songs which were not performed; this further implies that they each have a specific role on the album as an ordered entity, a context naturally at odds with the promotional function of the tour. Moreover, "Silent Eyes" is the only song that truly combines harmonically complex and simple idioms, thereby placing it on both sides of the musical and narrative divide. Original Published Key: G Major. Like "50 Ways, " each song is relatively up-tempo, and each is based on a simple three-chord I-IV-V progression related to its genre: gospel for "Gone At Last, " 8-bar blues for the other two songs. 10, corresponds with the low point of the cycle, i. e., the outpouring of grief following the marriage of the poet's love to another. )
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