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The collection takes a balanced approach to the controversy with the inclusion of an extensive appendix of selected viewer comments, which provides an outlet for public opinion and a wholesome view of the controversy for readers. To contact the museum: or (505) 476- 1200. This blend makes Our Lady of Controversy an invaluable resource and nuanced rendering of a complex situation. A veteran of "sacrilegious" art, López made an indelible mark on the local scene in 2001.

Our Lady By Alma López De

The War of the Roses: Guadalupe, Alma Lopez, and Santa Fe (Kathleen FitzCallaghan Jones). The Virgin of Guadalupe: an Image of a Superhero for Chicana Artists. How is it that they look at women's bodies and only see sexuality versus seeing the beauty of these bodies that were given to us by our Creator? Part of what has surprised Lopez about religious objections to "Our Lady"'s less-than-fully-clothed state is that so many religious icons in churches bare a great deal of skin. This chapter examines Nan Goldin's Cookie Portfolio, the well-known series of photographs of her good friend Cookie Mueller from the beginning of their relationship (1976) until Mueller's death (1989), in order to answer several questions about visuality, autobiography, marginality and death. Gaspar de Alba, Alicia and Alma Lopez, editors. While the controversy continues over whether. "Cultural Crossfire", The Santa Fe New Mexican (October 14, 2001. To rid herself of her shame. The dialogue that has ensued "is part of the healing process, " she. She also offers the following warning: "Censorship hurts everyone. At the center of the battle over freedom of.

Our Lady Of Guadalupe Book

Book Description Condition: New. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition. Months before Alma Lopez's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Censorship infringes on our rights to choose to see images. Yet today, the works of these men, all gay, are held up as masterpieces of religious art. Meridians: feminism, race, transnationalism, 5(1), 201-224. The governor observed: "If you take it down, then where do you draw the line on the next piece of art? Several months before its scheduled closing in February? Review of Our Lady of Controversy: Alma López's Irreverent Apparition by Niamh Nic Chonmara, Hispanic Studies, University College Cork. Recommended Citation. We applaud their ability to find a way to both hear the position of those protesting and also to stand by the free expression rights of the artist by leaving her work on display. "Uproar Over Virgin Mary in a Two-Piece Swimsuit" The New York Times (March 31), 2001. For those that are standing up and vociferously voicing their opinion that … this is free speech, (that's) their right also. " Her image was miraculously imprinted on the visionary's poncho and is still revered by millions in the Cathedral of Guadalupe.

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Does the Latina curator [Tey Marianna Nunn] have that right? La virgen herself is a symbol of mixture because she is a catholic icon but is the Patron saint of Mexico and is associated with Tonatzin or Coatlicue, which are the Aztec mother and creation goddesses. "moon cycles, " how women connect each month to life through menstruation. "It's my body, yet nobody's asked me anything about how I feel. La respuesta de Alma" I Am Aztlan: The Personal Essay in Chicano Studies, edited by Chon A. Noriega & Wendy Belcher, UCLA Chicano Studies Research Center, 2004. Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. In 2011 author, artist and activist Alma López offered a lecture at NHU in New Mexico, about her latest book Our Lady of Controversy: Alma López's Irreverent Apparition (University of Texas Press, 2011), a series of essays about the history of Guadalupe and what her pervasive imagery means in lives of Mexicans and hispanic people in America. Raquel Salinas, Raquel Gutierrez and I grew up in Los Angeles with the image of the Virgen in our homes and community. Alma López' webgallery. The press statement introduces issues of gender, religion, culture and place which are developed further by subsequent essays in the collection.

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"Their work wasn't disrespectful and my work isn't either. Alma López is an artist, activist, and visual storyteller originally from Los Mochis, Sinaloa, Mexico. Nic Chonmara, Niamh "Review- Our Lady of Controversy: Alma López's Irreverent Apparition by Gaspar de Alba, Alicia and Alma López (eds), " Aigne: The online postgraduate journal of the College of Arts, Celtic Studies and Social Sciences, University College Cork, Ireland, 2011 Walker, Hollis "Our Lady of Controversy, " The New Gate Keepers: Emerging Challenges to Freedom of Expression in the Arts. Crossing the Borders of Tradition: Alma López's Our Lady (1999) and Our Lady of Controversy II (2008). For nearly half her life, she was ashamed of her body -- burdened with guilt for having been raped. 0 International License. Rather than offering compassion, those. Walking in her predecessor's footprints, she's still surprised by the reaction the image caused. So far museum officials have said they have no intention of pulling López's piece. Our Lady of Controversy would work quite well in a variety of contexts for undergraduate readers, in particularly Chicana/o studies, art history, women's studies, queer and LGBT studies, and American Studies. The accompanying DVD, "I Love Lupe" (running time of approximately 45 minutes) showcases López in conversation with two other major Chicana artists, Ester Hernández and Yolanda López, regarding the place of la Virgen in their visual art.

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This essay closely reads Alma López's digital print, California Fashions Slaves (1997), which depicts Macrina López, the artist's mother and a seamstress, alongside mexicana garment workers within a Los Angeles cityscape. The collection opens with López's original press statement, "The Artist of Our Lady (April 2, 2001). "

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Lopez views her work as part of a long Chicana tradition. 0292719922 (cloth: alk. This is Lent, a time of devotion between Ash Wednesday and Easter.

Our Lady By Alma Lopez

Yet, you can't get Raquel Salinas to say much about herself without causing her to choke up with emotion. Speech and a sacred symbol is a woman who when asked if she has ever doubted. This 47-minute video documents a roundtable discussion about controversial Virgin of Guadalupe visual work with Ester Hernandez, Yolanda M. Lopez and Alma Lopez.. Book Description paperback. Chicana matters series. Read at "I Love Lupe" looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López. Is one reason that led her to drink. If my work is removed, that means that I have no right to express myself as an artist and a woman.

Kathleen Fitzcallaghan Jones ("The War of the Roses") takes a wide lens, situating the controversy in both local and national politics. López is taken aback by how little things have changed in 10 years. Erroneously described as bikini-clad, Salinas. Lee, Morgan 'Museum Keeps Controversial Work', Albuquerque Journal (March 20) 2001: A5. Alma López's piece depicts the Virgin of Guadalupe clad in wreaths of roses, elevated by a bare-breasted butterfly angel, and adorned with a cloak embossed with symbols of Coyolxauhqui, the Aztec moon goddess. McMahon, M. R. (2011). To email letters of support, please send them to the curator and director who are very supportive so that they can use them as support for the exhibition.

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