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Dungeons And Dragons And Diablo In Brief Explanation: Unsung Heroes: The Cinematography Of 'Once Upon A Time In The West' - Blog - The Film Experience

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Fonda was Leone's favorite actor, so he couldn't pass up the chance to work with the performer. Screenwriter must-read: Leonardo Benvenuti, Piero De Bernardi, Enrico Medioli, Franco Arcalli, Franco Ferrini & Sergio Leone's screenplay for Once Upon a Time in America [PDF]. America speaks like fairies in a fairy tale: "You desire the unconditional, then your wishes are granted. This one is a killer. I often say myself that action is character. Subtitles available. Like the title suggests, its an exaggerated, fairy-tale for adults, set in the old West. I think filming itself is fun, especially in Death Valley and under the Brooklyn Bridge, where coyotes cry and ships toot their horns. The camera pans up to the gunman's face and... it's Henry Fonda. " This film is the first you've made after ten years.

Once Upon A Time In The West Blog Archives

Director Sergio Leone's magnum opus, Once upon a time in the West(1968), starring Henry Fonda, Claudia Cardinale, Charles Bronson and Jason Robards, is considered one of the greatest Westerns ever made. There's an homage to the script writers who for better or worse helped me to discover the America that I didn't know, and those who helped me to dream about America. Scenes are slower paced here but they give suspense all the way to the end. There's a good argument to be made that The Good, The Bad, and The Ugly is a film more concerned with gorgeous visuals than its story. A Paramount release from 2011. After seeing Ramón Rojo, El Indio and Angel Eyes from Sergio Leone's Dollars trilogy get approved, I'm surprised Frank from 1968 spaghetti western classic Once upon a time in the west isn't proposed yet. Far as I'm concerned, this is the second best western of all time behind GBU. Once Upon a Time in America is also a narrative about our loyalties to one another, which more often than not lead to us sacrificing our own desires, wants and needs for the sake of life-long friendships that have become such a crucial part of our being, that giving them up would feel akin to dying. It was a huge success in France, where it played for about 2 years in a theater in Paris. I remember that once in 1966 or '67, I spoke with Warren Beatty about my project for a film on American gangsters and, a few weeks later, he announced that he would produce and star in Bonnie and Clyde. And there's my pessimism. In this film too, there is the theme of revenge fueled by the murder of a family member- Bronson obsessively pursuing Fonda for murdering his brother.

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It's a typical Leone character; in the vein of Tuco in The Good the Bad and the Ugly, who is more of a Man-child and provides the comic relief. Then there are his visual trademarks; The tight close-ups of sweaty, sunburned faces inter-cut with wide vistas; the soaring crane shots that's timed to a specific piece of music or the use of montage, where the scenes are rapidly cut together to music as in a a music video. After thinking about it, Leone concluded that he should do another trilogy which begins with C'era una volta il West, develops into Giù la testa, and ends with Once Upon a Time in America (1984). Topics of discussion include whether the film is an anti-western, Leone as a mythmaker, a theory on Charles Bronson's character having been dead the whole time, a breakdown of Ennio Morricone's legendary score, and why more films need to swing for the fences. The ultimate top contender to the good, bad and ugly. During the 1960s, the director read the part-memoir, part-fiction novel The Hoods written by Harry Grey, a former Russian-American gangster whose real name was Herschel Goldberg and who, although hesitant at first, agreed to meet with Leone, only because he had seen and liked his Westerns.

Once A Upon A Time In West

Fonda's Frank is the devil. The term "Operatic" is also used -- a LOT -- noting the exceedingly slow pacing of critical scenes, as in an opera, where no one can die before everyone sings about it for 15 minutes or so. Read all 67 comments ►. It is, in short, poetry in motion. There is a wonderful moment in the DVD documentary on Once Upon a Time where a now elderly Claudia Cardinale begins, "Tonino Delli Colli…" then gets a distant look in her eyes, smiles and says simply "He knew how to light me. The American actors loved working with him.

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"People scare better when they're dying". Bronson has a superhuman control over space and time. We all knew it would be unlike anything we'd ever seen. It was on those streets that the main characters of Leone's movie spent their childhoods, resorting to petty crimes at first, only to progress to more serious ones as time went on. They are both excellent in their parts, but only Bronson comes close to being as crucial to the narrative as Jill.

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This is one, amazing piece of film-making! The reason it is so memorable is its resonance; the melody is lush and expansive, and within minutes, you are moved along dreamily by its epic sweep. Summer near Antarctica. Or discover another America. Sergio replied, "Picture this: the camera shows a gunman from the waist down pulling his gun and shooting a running child. They are about to leave, when they hear the ominous sounds of a harmonica. We don't have that here. The root of all of this is greed, a very American hunger to conquer the land and damn caring about a body count. To donate, please visit our donation page, or donate directly below:

Once Upon A Time In The West Blu Ray Review

Cigar-chewing heroes in looming close-ups. Directed by Sergio Leone. If they don't behave well, if the mythical level is lowered, if their movies don't work any more and history takes on an ordinary, day-to-day quality, then we can always evict them. The first draft of the movie was written by American author Norman Mailer, known for the novel The Naked and The Dead and his Marilyn Monroe biography.

But, I'm sorry to say, he only gave birth to a Mickey Mouse version. Famously, one large theater in Paris ran the film continuously for 24 straight months! Four maitre d's greet us, and walking past the antipasto table, Leone nonchalantly samples each dish with his chubby fingers. At other times—for example when I'm at the dinner table—I sometimes say, "Ciack! But the song was another immigrant's fairy-tale, and Leone wanted the irony of its use in this context. It's not a realistic film, not historical. Other more minor, yet noteworthy actions Frank commits during the movie are. For Frank, an amazing role of villainy by Henry Fonda, we see his handiwork from off-camera as the McBains fall one after the other, culminating with a true glimpse into the compassionless void where his heart should be. This epic western follows the story of a mysterious stranger with a harmonica who joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad. The film by Leone is completely indifferent to itself.

I would offer the same answer to your question—only backwards. Meanwhile, another stranger arrives in town, Harmonica (Charles Bronson), and he is looking for Frank (Henry Fonda). Leone himself did not oppose this theory, but rather confirmed that it just might be the case. Sometimes if I choose settings for my films that are underdeveloped or slightly criminal, it's also to make the point that sometimes the good guy, if you scrape a little of the varnish off, is a little less good, and the bad guy, with a little less of the "bad guy" varnish, is a little less bad.

The result was just the disaster they had feared. It wasn't very easy, but we finally managed, with cleverness and many dollars, to rip off the rights from the legitimate holders. I love the vast spaces of John Ford and the metropolitan claustrophobia of Martin Scorsese, the alternating petals of the American daisy. Fortunately, the film ends on a thrilling and appropriately epic duel that has the weight of extinction on its shoulders. But either out of prudence or superstition—as is only human, and even too human, I prefer not to talk about it now.

Yes, total liberty from infancy on. Look at him carefully. The director's collaborators and peers have frequently and unabashedly spoken out on the topic of the American cut, claiming that the alterations caused the filmmaker a great amount of emotional pain. Between our three male leads, and even our female star, not a one can be called a hero of any sort. Support the show on Patreon: or. An interview with Sergio Leone from the pages of the June 1984 issue of American Film written by Pete Hamill. The subject of their dazed wrath, and the cargo of the train, is Charles Bronson's unnamed hero (later dubbed Harmonica for an obvious reason). And still, Blacks remain suitably inky, without crush. I won't even hear of it. The absence of sound also helps at moments to keep the audience off balance. Al Mulock, who played one of the three gunmen in the opening sequence, committed suicide by jumping from his hotel window in full costume after a day's shooting.

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